Skinny Bitch! If ever there was a book with its own sense of rhetorical STYLE, here it is folks; nothing but a mouthful of attitude and punch on ink and paper. It is evident from the title alone that this book holds a more passionate tone for those of us out there who still possess virgin ears. Authors Rory Freedman and Kim Barnouin successfully convey this original style by being awfully particular with their communication style, word choice, language, and even such minute details as punctuation marks.
Readers of Skinny Bitch can attest to the overwhelming use of the “low” style of communication, which can be thought of as every day, informal, humorous language. Simply a quick glance at the first sentence of the introduction, “Are you sick and tired of being fat?” evidences the use of this style. In addition, the frequent use of foul language and the negative and somewhat condescending tone created by words such as “lumpy ass,” “pussies,” “fucked up,” “lazy shit,” “fat, unhealthy, bloated pig,” further the informality and at times the humor produced by the “low” communication style used by Freedman and Barnouin. It is evident that these authors chose these words cautiously in order to create this intentionally offensive tone and fulfill their purpose of persuading women to become skinny bitches like themselves.
Throughout the text of Skinny Bitch, the authors load their sentences with various types of figurative language. One specific phrase, “Soda is liquid Satan” shows an awfully great example of a metaphor. Defined as an implied comparison between two things used to clarify an argument, this particular metaphor likens a sugary and essentially unhealthy soft drink to the dark angel, whom in biblical history is known to cause great destruction and mischief. In other words, avoid soda like the plague. This particular example may also be considered a hyperbole, an exaggeration used for special effect. An exaggeration, this definitely is. In addition, several rhetorical questions are used throughout the text, the very first sentence being one of them, “Are you sick and tired of being fat?”
Even the punctuation marks make a difference with these women. The variety of letter styles and punctuation marks which contribute to the tone Freedman and Barnouin try to create, range from italics to equal signs to ALL CAPITAL LETTERS to ellipsis points to exclamation points to the familiar question mark. As evidenced by the following examples, “Healthy = skinny,” “You should not need anything to wake up,” “YOU CAN EAT BREAD AND FRUIT!”, “Uhm… pathetic!”, “Want more bad news?” the utilization of these grammatical tools further emphasize the sense of one-on- one conversation that the “low” communication style creates.
From the sentences, to words, to the dots on their paragraphs, authors Freedman and Barnouin successfully created a unique style for their book Skinny Bitch with attitude written all over it.